Satellite

BREAKING IN

EPFC | October 12th, 2015

MARVELOUS MOVIE MONDAYS!!
Guest curator: KELLY GALLAGHER

Kelly here, sharing the next film for my series NO COP ZONE!
12 Years a Slave & Pariah actress, Adepero Oduye, is incredibly and graciously sharing her directorial debut short film, “Breaking In,” with us for this week and this week only! It’s currently on the festival circuit so this is a very special online screening Oduye is allowing just for us. Watch it while you can before the week is over. “One afternoon in Sunset Park, another black boy gets broken in.”
For more information about the film, from the filmmaker: “Breaking In is a short film about a young man’s first experience being stopped by the NYPD.
We have been screening the short in high schools, engaging in dialogues with young people about innocence, power, and justice.
If you would like to screen Breaking In at your school or community center, please email us at BreakingInFilm@gmail.com.”

 

REPARATIONS… NOW

EPFC | October 8th, 2015

MARVELOUS MOVIE MONDAYS!!
Guest curator: KELLY GALLAGHER
Theme for October: NO COP ZONE

Hello everyone! Kelly here, so excited to start curating for my NO COP ZONE Marvelous Movie Mondays. My theme this month is all about resisting and fighting back against racist and white supremacist state apparatuses such as the police. NO COP ZONE is about demanding safe spaces within which folks can mobilize, strategize, and survive. I first heard the term NCZ from various east coast radical collectives who have been demanding that police be disarmed, disempowered, and disbanded. Within that spirit, we will explore films this month that demand a critical space within which to talk about the realities and terror of everyday violence against black life in our society.

Our FIRST FILM this week is called “Reparations… Now” by critically acclaimed theorist of Afro-Pessimism, Dr. Frank Wilderson . *This is the FIRST TIME ever this film has been made available to the public online.* I thank Dr. Wilderson a very great deal for sharing this film with us.
A synopsis of the film: “A documentary with an audio track consisting of Black people reflecting on issues associated with the dilemma of slavery and its ramifications in the 21st century—ranging from the sublime and banal to the vitriolic and bloody. The film’s images are selected and combined in a pastiche of emotional and intellectual montage so as to compel the viewer to contemplate the terror of everyday Black life and the impossibility of “repairing” a slave. Interviews with politicos, scholars, artists, and work-a-day and homeless Black folks are cross-cut with still photography and swaths of the director’s monologue about the psychic and political wounds of a middle class Black family that descended from the White Castle Plantation in Louisiana (now an “historic site”: combination bed-and-breakfast resort). The film deliberates, without resolution, on unnamable loss.”

 

 

NEFANDUS

EPFC | September 28th, 2015

MARVELOUS MOVIE MONDAYS!!
Guest Curator: Ian Alan Paul
This Month’s Theme: “Global Borders, Global Migrations”

For this week, we’ll be looking at “Nefandus” (2013) by the artist Carlos Motta.

Using the Don Diego river in Columbia as a backdrop in this single-channel video piece, Motta calls forth the imbricated histories of colonization, (homo)sexuality, and Christianity in South America using voice-over and poetic imagery.

Between the sexual assaults which were used as a brutal weapon of colonization, and pre-Columbian homosexual traditions in the Americas, the video explores what is described as the “territory of sodomy,” and more broadly asks how these unresolved pasts continue to echo into the present.

THE GREEN LINE

EPFC | September 18th, 2015

MARVELOUS MOVIE MONDAYS!!
Guest Curator: Ian Alan Paul
This Month’s Theme: “Global Borders, Global Migrations”

Today, we’ll be looking at “The Green Line: Sometimes doing something poetic can become political and sometimes doing something political can become poetic.” by the artist Francis Alÿs.

The work, existing somewhere between video art and performance, defamiliarizes and makes-strange the border between Palestine and Israel through Alÿs’ meandering (and dripping) walk through the interstitial territory. Traversing history, randomness, play, movement, and gesture, we are left wondering: What poetics and politics are at work here, and what differential potentials open up in the space between the two?

The Green Line on francisalys.com

EUROPLEX

EPFC | September 18th, 2015

MARVELOUS MOVIE MONDAYS!!
Guest Curator: Ian Alan Paul
This Month’s Theme: “Global Borders, Global Migrations”

Hello Echo Parkers! I’m very happy to be with you this month curating a series of films and videos that engage with the topic: “Global Borders, Global Migrations”

To get us started, I choose a poignant video work by Ursula Biemann titled “Europlex.” The video documents a section of the North African border territory between Spain and Morocco, and explores how certain confluences and frictions between various flows and circuits of movement constitutes the border-as-territory. Like her other films, “Europlex” asks us to consider the relations between bodies, spaces, and technologies in order to better understand the operations and structures of contemporary power. Enjoy!

Europlex on www.cultureunplugged.com